Poetry

POETRY

Theme for November is Reflections

 

ELIZABETH PILL

ROY BURMAN

PAUL NEWMAN

LESLEY ROBERTS

YVONNE BURMAN

SOUTERS

JANE BENNETT

TRICIA SPINK

 JIM GRAHAM

TONY STOLLER


 

ELIZABETH PILL

 

 

LAST OF THE LINE

David Scott

I have a way
(it’s probably the best thing I do)
of getting a hand in a shoe
and patting the brush in the polish
and rubbing it round,
first one side, then the other,
then toe, then heel.
I notice the particular scuffs
and creases. I think I can tell
how those who wear them are getting on

from the shape of their shoes, how they are leaning,

and the pace of things.
My father did the same, but with
a different lung-filled breathing,
and he‘d use the occasion to talk
about the stages of life’s changes.
Perhaps I’ll be the last of the line
of the great shoe cleaners,
newspaper fire-lighter twisters,
piler up of coin-ziggurats,
whispering adding-uppers,
stuffer of wet shoes.

Shel Silverstein


Each time I see the Upside-Down Man
Standing in the water,
I look at him and start to laugh,
Although I shouldn't oughter.
For maybe in another world
Another time
Another town,
Maybe HE's right side up
And I am upside down”

 

 

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ROY BURMAN

 

Laterally inverted reflections.
 
by Roy Burman
 
In the poem “The lady of Shallot” no clue is given as to how the Lady died or indeed how she became unable to look at anything directly. In my version of the poem I am going to tell you how she died and to surmise that as a child she was overprotected and became unable to live her experiences directly. Like so many of us, she was scared of real life experiences and had to live life vicariously via books, films, soaps and plays in theatre and television. Eventually protecting herself by putting a large reflecting mirror between herself and what was really happening in the world. The vision of a young Knight breaks the spell!
 
In the evening by the river,
Willows whisper, Aspens quiver.
Little breezes shake and shiver.
Flow in waves that surge for ever, 
This they did at Camelot.
 
And that small isle, darkening so,
With towering rocks and walls below,
Just like the place my mind does know.
The island of Shallot.
 
The beauteous lady living there
Sees only in her mirror clear,
Reflections of the world so near.
To look direct would make her fear,
To see the towers of Camelot.
 
She knows not what, she knows not why.
Except a curse if her sad eye
strays from the glass-may even die.
The Lady of Shallot.
 
And then, one day, just after nine,
She saw a young Knight in his prime.
Well groomed and plumed with armour fine.
Heart smitten deep, she said “He’s mine”.
Riding down to Camelot.
 
She took her eyes from off her wall
And looked straight down at that man tall.
Forgot about the curse and all.
The Lady of Shallot.
 
She “did’ her face and with great haste
Pursued the Knight- that Lady chaste.
Put on her shoes and tightened waist
And down the winding stair she raced.
To go to Camelot.
 
Near to the gate she spied the boat
Deep far below upon the moat.
She would embark and gently float.
The Lady of Shallot.
 
Alas the curse was not denied,
For now her view was so world wide.
She had forgot the mirror lied.
It swapped the view from side to side.
And all at Camelot.
 
Thus thinking she was stepping right,
Went left, and fell from such a height.
Down to the boat- an awful sight.
The Lady of Shallot.
 
Not written then, these verses terse,
Revealed too late the dreadful curse.
The boat became that poor girl’s hearse.
And all had gone from bad to worse.
Riding down to Camelot.
 
The Knight passed by to show respect,
But seeing her state he looked dejected.
“She’s not pretty as expected,
From that mirror just reflected
The Lady of Shallot.”
 
 
The moral here is all too clear.
When long at mirrors you do peer.
Remember then this story queer.
The Lady of Shallot.
 
Willows whisper,Aspens quiver.
Learn your science and do not dither.
Step down safely to the river.
And never never slither thither.
Down to Camelot.

 

 
With the world in more than average turmoil, I have been reflecting on the state of our nation. It has been suggested that this process of reflection can be part of a regular look at the way we organise ourselves as Quakers. It can be part of a fourfold method viz: experience/reflection/learning/experimentation. As a baseline I used the following poem by Rabindranath Tagore.
 
Let my Country Awake.
 
Where the mind is without fear and the head is held high;
Where knowledge is free;
Where the world has not been broken up into fragments by narrow domestic walls;
Where words come out from the depth of truth;
Where tireless striving stretches its arms towards perfection;
Where the clear stream of reason has not lost its way into the dreary desert sand of dead habit;
Where the mind is led forward by thee into ever-widening thought and action—
 
Into that heaven of freedom, my Father, let my country awake.
 
 
In my teens it seemed that we had moved some way into this state and that with work and vigilance we and indeed the whole world, would continue to move in the right direction.
With greater perception, time and many unfortunate events, this is seen to be more and more problematic.The last few years would seem to indicate an uncontrollable entropy and chaos.
How do we deal with this?

 

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Paul Newman

 

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LESLEY ROBERTS


 

 

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YVONNE BURMAN


Dearly
by Margaret Atwood

It’s an old word, fading now.
Dearly did I wish.
Dearly did I long for.
I loved him dearly.

I make my way along the sidewalk
mindfully, because of my wrecked knees
about which I give less of a shit
than you may imagine
since there are other things, more important -
wait for it, you’ll see -

bearing half a coffee
in a paper cup with -
dearly do I regret it -
a plastic lid -
trying to remember what words once meant.

Dearly.
How was it used?
Dearly beloved.
Dearly beloved, we are gathered.
Dearly beloved, we are gathered here
in this forgotten photo album
I came across recently.

Fading now,
the sepias, the black and whites, the colour prints,
everyone so much younger.
The Polaroids.
What is a Polaroid? asks the newborn.
Newborn a decade ago.

How to explain?
You took the picture and then it came out the top.
The top of what?
It’s that baffled look I see a lot.
So hard to describe
the smallest details of how -
all these dearly gathered together -
of how we used to live.
We wrapped up garbage
in newspaper tied with string.
What is newspaper?
You see what I mean.

String though, we still have string.
It links things together.
A string of pearls.
That’s what they would say.
How to keep track of the days?
Each one shining, each one alone,
each one then gone.
I’ve kept some of them in a drawer on paper,
those days, fading now.
Beads can be used for counting.
As in rosaries.
But I don’t like stones around my neck.

Along this street there are many flowers,
fading now because it is August
and dusty, and heading into fall.
Soon the chrysanthemums will bloom,
flowers of the dead, in France.
Don’t think this is morbid.
It’s just reality.

So hard to describe the smallest details of flowers.
This is a stamen, nothing to do with men.
This is a pistil, nothing to do with guns.
It’s the smallest details that foil translators
and myself too, trying to describe.
See what I mean.
You can wander away. You can get lost.
Words can do that.

Dearly beloved,  gathered here together
in this closed drawer,
fading now, I miss you.
I miss the missing, those who left earlier.
I miss even those who are still here.
I miss you all dearly.
Dearly do I sorrow for you.

Sorrow: that’s another word
you don’t hear much any more.
I sorrow dearly.




Coming
by Philip Larkin

On longer evenings,
Light, chill and yellow,
Bathes the serene
Foreheads of houses.
A thrush sings,
Laurel-surrounded
In the deep bare garden,
Its fresh-peeled voice
Astonishing the brickwork.
It will be spring soon -
And I, whose childhood
Is a forgotten boredom,
Feel like a child
Who comes on a scene
Of adult reconciling,
And can understand nothing
But the unusual laughter,
And starts to be happy.

 SOUTERS

 

John's poems

  

 FETCH A LOOKING GLASS
     (An egoist enters a sideshow)    by John Souter

He steps from light into dark

Looks into each twisted glass

Intrigued by what he sees

Bending his knees

His body's fatter

His head's bigger

Standing up straight

He grows taller

Longer and thinner

His head is smaller

Each move reflects a monster

A giant

A pygmy

A gnome

An elf

Distorted visions of himself

And between mirror facing mirror

A wonderful procession

Of receding images

Repeating

Retreating

Further

Further

Stretching

To infinity
 
Me

Me
 
Me

Me                    

Me

Me

Me






Peggy's Poems

 

 

Peggy's poems are both from Ted Hughes' Tales from Ovid.  (Echo was a nymph, whom Juno punished by making it impossible for her to say anything except the last two words she had heard spoken.  Narcissus was a beautiful youth who saw his own reflection in a pool and fell hopelessly in love with it.

ECHO

The moment Echo saw Narcissus

She was in love....................

It so happened, Narcissus

Had strayed apart

From his companions.

He hallooed them: "Where are you?

I'm here." And Echo

Caught at the syllables as though they were precious:

"I'm here," she cried, "I'm here," and "I'm here," and "I'm here."

Narcissus looked around wildly.

"I'll stay here," he shouted.

"You come to me." And "cCme to me."

Shouted Echo. "Come to me.

To me, to me, to me."

Narcissus stood baffled,

Whether to stay or go. He began to run,

Calling as he ran, "Stay there." But Echo

Cried back, weeping to utter it, "Stay there,

Stay there, stay there. stay there."

Narcissus stopped and listened. Then, more quietly,

"Let's meet halfway. Come." And Echo

Eagerly repeated, "Come."





NARCISSUS

There was a pool of perfect water...............

Weary with hunting and the hot sun

Narcissus found this pool.

Gratefully he stretched out full length,

To cup his hands in the clear cold

And to drink. But as he drank

A strange new thirst, a craving, unfamiliar,

Entered his body with the water,

And entered his eyes

With the reflection in the limpid mirror.

He could not believe the beauty

Of those eyes that gazed into his own.

As the raste of water flooded him

So did love. So he lay, mistaking

Tjat picture of himself on the meniscus

For the stranger who could make him happy.
 

 

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JANE BENNETT

 

 

Questions From a Worker Who Reads

Bertolt Brecht

Who built Thebes of the seven gates?
In the books you will find the names of kings.
Did the kings haul up the lumps of rock?
And Babylon, many times demolished
Who raised it up so many times? In what houses
Of gold-glittering Lima did the builders live?
Where, the evening that the Wall of China was finished
Did the masons go? Great Rome
Is full of triumphal arches. Who erected them? Over whom
Did the Caesars triumph? Had Byzantium, much praised in song
Only palaces for its inhabitants? Even in fabled Atlantis
The night the ocean engulfed it
The drowning still bawled for their slaves.

The young Alexander conquered India.
Was he alone?
Caesar beat the Gauls.
Did he not have even a cook with him?

Philip of Spain wept when his armada
Went down. Was he the only one to weep?
Frederick the Second won the Seven Year’s War. Who
Else won it?

Every page a victory.
Who cooked the feast for the victors?
Every ten years a great man?
Who paid the bill?

So many reports.
So many questions.

 

Silent Questions from the Wife of a Worker Who Reads

Manali Chakrabarti

 

 

So you say, it is you not the kings, who built the Thebes of the Seven Gates.
Your forefathers hauled lumps of rocks when Babylon was Resurrected all those Several time – after each demolition.

 

You ask about the Houses where the Builders of gold glittering Lima lived,
I ask silently who kept the houses, the children, the future builders.

 

You ask, where did the masons go when the Great Wall of China was finished,
History did not record it.
But what about the patient unheard voices who made the shacks and hovels Homes,
Who waited with hot gruel for the masons?
Who do not even have the Great Stone Wall of China as a Silent testimony,
Should a Future day Historian choose to enquire.

 

Alexander conquered India, Caesar beat the Gaul,
Philip of Spain laughed and cried with the fortunes of the Spanish Armada,
Yes they had soldiers to fight their wars.
And cooks too, and a thousand others to assist them in their noble endeavours.
Their triumphs and their losses in the battlefields and the seas were not theirs alone.
There were the ‘not so great men’ behind these ‘Great Men’
Should you dig O! Present day historian you may still find them

 

But wasn’t there anything else happening then, when the men, Great and Small,
Were making History?
Wasn’t there an ordinary child being born and nurtured anywhere?
And houses kept, vegetables grown, clothes made and rice dehusked.
Who made the ends meet in times of war and scarcity?
The Men were away.
Who sang lullabies while the roaring canons decided the victors?

 

I listen to you, while you question the past with your new found knowledge.
You roar, you thunder, I sew silently a pattern on the pillowcase.
Would my story visit you in your dreams – mine that I share with my foremothers?
Would my child be able to decipher the words hidden in this pattern,
As you do now for those in the history books?

 

I did not cook for the victors; I did never cook for the past,
I always cooked for the future – where every morsel was important.
It was no feast – lavish fare strewn around and men doused in drinks,
I never cooked to commemorate great events,
I cooked the humble daily gruel soaked in parsimony and care,
This was to write a different history,
A history  for the future.

 

Behind your vocal questions to history and all its records and reports
Is the Great Wall of my Silent questions.
Who has the Answers?
I wonder.
Maybe I do.

 

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   TRICIA SPINK


 

Through A Glass Darkly

    By Arthur Hugh Clough





    What we, when face to face we see
    The Father of our souls, shall be,
    John tells us, doth not yet appear;
    Ah! did he tell what we are here!

    A mind for thoughts to pass into,
    A heart for loves to travel through,
    Five senses to detect things near,
    Is this the whole that we are here?

    Rules baffle instincts--instinct rules,
    Wise men are bad--and good are fools,
    Facts evil--wishes vain appear,
    We cannot go, why are we here?

    O may we for assurance's sake,
    Some arbitrary judgement take,
    And wilfully pronounce it clear,
    For this or that 'tis we are here?

    Or is it right, and will it do,
    To pace the sad confusion through,
    And say:--It doth not yet appear,
    What we shall be, what we are here?

    Ah yet, when all is thought and said,
    The heart still overrules the head;
    Still what we hope we must believe,
    And what is given us receive;

    Must still believe, for still we hope
    That in a world of larger scope,
    What here is faithfully begun
    Will be completed, not undone.

    My child, we still must think, when we
    That ampler life together see,
    Some true result will yet appear
    Of what we are, together, here.

 

 

Looking back

by Tricia Spink

 

I write as a suitor

Whose heart you possess’d,

Whose mind you obsess’d,

Who craved to express

His desire to caress

Your divine tenderness…

 

Then declared, quite simply that,

Nevertheless,

He prefer’d to challenge

His partner at chess…

 

No, Reader, I did not marry him.

         

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JIM GRAHAM

 

Please Call Me by My True Names
by Thich Nhat Hanh
 

Do not say that I'll depart tomorrow—
even today I am still arriving.

Look deeply: every second I am arriving
to be a bud on a Spring branch,
to be a tiny bird, with still-fragile wings,
learning to sing in my new nest,
to be a caterpillar in the heart of a flower,
to be a jewel hiding itself in a stone.

I still arrive, in order to laugh and to cry,
to fear and to hope,
the rhythm of my heart is the birth and death
of all that are alive.

I am the mayfly metamorphosing
on the surface of the river,
and I am the bird which, when Spring comes,
arrives in time to eat the mayfly.

I am the frog swimming happily
in the clear water of a pond,
and I am the grass-snake
that silently feeds itself on the frog.

I am the child in Uganda, all skin and bones,
my legs as thin as bamboo sticks.
And I am the arms merchant,
selling deadly weapons to Uganda.

I am the twelve-year-old girl,
refugee on a small boat,
who throws herself into the ocean
after being raped by a sea pirate.
And I am the pirate,
my heart not yet capable
of seeing and loving.

I am a member of the politburo,
with plenty of power in my hands.
And I am the man who has to pay his
"debt of blood" to my people
dying slowly in a forced labor camp.

My joy is like Spring, so warm
it makes flowers bloom all over the Earth.
My pain is like a river of tears,
so vast it fills the four oceans.

Please call me by my true names,
so I can hear all my cries and laughter at once,
so I can see that my joy and pain are one.

Please call me by my true names,
so I can wake up
and so the door of my heart can be left open,
the door of compassion.

 

 (A fuller version of this poem and back story can be found here: https://wtf.tw/ref/nhat_hanh.html)

Ballad of Sir Patrick Spens

by Anonymous

 

 

The King sits in Dunferline toun,
Drinkin the blude-reid wine
‘O whaur will A get a skeely skipper
Tae sail this new ship o mine?’

 

O up and spak an eldern knight,
Sat at the king’s richt knee;
‘Sir Patrick Spens is the best sailor
That ever sailt the sea.’

 

Our king has written a braid letter
And sealed it wi his hand,
And sent it to Sir Patrick Spens,
Wis walkin on the strand.

 

‘Tae Noroway, to Noroway,
Tae Noroway ower the faem;
The King’s dauchter o Noroway,
Tis thou maun bring her hame.’

 

The first word that Sir Partick read
Sae loud, loud laucht he;
The neist word that Sir Patrick read
The tear blindit his ee.

 

‘O wha is this has duin this deed
An tauld the king o me,
Tae send us out, at this time o year,
Tae sail abuin the sea?

 

‘Be it wind, be it weet, be it hail, be it sleet,
Our ship maun sail the faem;
The King’s dauchter o Noroway,
Tis we maun fetch her hame.’

 

They hoystit their sails on Monenday morn,
Wi aw the speed they may;
They hae landit in Noroway
Upon a Wodensday.

 

‘Mak ready, mak ready, my merry men aw!
Our gude ship sails the morn.’
‘Nou eer alack, ma maister dear,
I fear a deadly storm.’

 

‘A saw the new muin late yestreen
Wi the auld muin in her airm
And gif we gang tae sea, maister,
A fear we’ll cam tae hairm.’

 

They hadnae sailt a league, a league,
A league but barely three,
When the lift grew dark, an the wind blew loud
An gurly grew the sea.

 

The ankers brak, an the topmaist lap,
It was sic a deadly storm.
An the waves cam ower the broken ship
Til aw her sides were torn.

 

‘Go fetch a web o silken claith,
Anither o the twine,
An wap them into our ship’s side,
An let nae the sea cam in.’

 

They fetcht a web o the silken claith,
Anither O the twine,
An they wappp’d them roun that gude ship’s side,
But still the sea cam in.

 

O laith, laith were our gude Scots lords
Tae weet their cork-heelt shuin;
But lang or aw the play wis playd
They wat their hats abuin.

 

And mony wis the feather bed
That flattert on the faem;
And mony wis the gude lord’s son
That never mair cam hame.

 

O lang, lang may the ladies sit,
Wi their fans intae their hand,
Afore they see Sir Patrick Spens
Come sailin tae the strand!

 

And lang, lang may the maidens sit
Wi their gowd kames in their hair,
A-waitin for their ane dear loes!
For them they’ll see nae mair.

 

Half-ower, half-ower to Aberdour,
Tis fifty fathoms deep;
An there lies gude Sir Patrick Spens,
Wi the Scots lords at his feet!

 

 

 

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TONY STOLLER

 

 

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